Harry Potter and the deathly hallows- hollow or what?

After those excruciatingly restless 6 hours were over, I just wanted to sleep, to stop thinking. Potter has always been given me hangovers throughout these 7 odd years- the 5th book was an exception. Every other time, the weight of what I read would sit over my consciousness smugly, haunting my dreams, creating tempests in my thought patterns, dulling my ability to focus, drowning my hopes - well, you get it, every kind of distraction. Of course, I'd be able to shrug it off after a week or so, and after LOTR I desperately wanted to shift loyalties. Tolkien's universe was unfathomably perfect, you can instantly recognize the glint of genius blinding you, it's slickness skidding you while you're on your way to unraveling the mysteries of his smoothly contoured terrain- after all it's got optimum quantities of drama, more depth, and a wider expanse of fantasy that breaches more and more limits as the plot unfolds. Rowling on the other hand made sure that the gates of her world stayed open to anyone willing to whoop with joy within those- mediocrity has its bright side after all. Basically all you need to enjoy Potter is the capacity to suspend disbelief, logic, and to overlook inconsistencies and constant swings in direction. The plot constantly threatens to spin beyond the realm of credulity, but Rowling's always managed to drag it back with a straightforward ease that's always managed to keep the reader in her place- twitching with anticipation.

In the beginning, I used to analyze HP to bits with my friends, but when all our hopes about carefully thought out predictions dissolved, we gave up. No I gave up. I gave up when I realized that Harry had stopped appearing real to me. Like every other HP fan what hooked me (I was never a sucker for fantasy) was the "Hey. It's me." moment that we experienced when we first met Harry (OK- or Ron or Hermione for that matter.) When I stopped seeing myself in him, when I couldn't understand their motivations anymore, it stopped pulling me along its haphazard course.

The seventh book is different. OK it s a typical potboiler. Perfect Ending. "What the heck" sequences that would make any other author blush about the weaknesses in her plot. Fantasy writers can get away with all this. I mean you're supposed to overlook (basic) defects in their craft because of the way they weave their magic carpet stories- spun in such a way we're transported from our reality.

I liked HP 7 in spite of everything because Rowling hasn't betrayed some basic principles of story -telling, a quality that's becoming rare in modern writers -most of them are bent on outdoing each other in writing stuff with the most shock value- under the mask of innovation.

She has stayed true to the spirit of story-telling in the following ways-:

a) make your protagonists lovable- shouldn’t the reader care about your central characters, their problems, understand what s troubling them and why, their dreams, hopes, fears, loves etc.
b) your character has a problem to solve, he might have a few conflicts to sort out. Ultimately, the reader should be persuaded to hang on till all this gets resolved.
c) But then the reader will get bored/stop reading if our hero finds it a little easy. Throw as many obstacles as possible in his path- physically dangerous stuff, emotionally disturbing realizations, mentally destabilizing discoveries, difficult relationships- the works. And when all seems lost, and our hero seems destined for certain doom, hey presto, he pulls out the last ace and triumphs
d) keep repeating all this nicely with appropriate style/structure/dialogue/description/characters/ACTION and you have a well-balanced story that makes you go "Aww. That was a brilliant tale." and then you flip back to the first page and...

While all these classic rules have produced clichés (quite prominent in this series) opposites attract (Ron- Hermione) love can impart strength to perform miracles (Mrs. Weasley's impossible feat- "not my daughter you bitch!" lol.) overlooking opportunity right under you nose. ( "We might have had years together"- Harry and Ginny’s future. yuck!) And those typical "Whatever you've been searching for. It's there. It's always been there. You’ve been ignoring it all the while." epiphanies that occur to Harry whenever he struggles to crack some clues that lead to horcruxes, the perfect double agent (well he s elevated to saint status here. sigh. all the cards come crashing down together in one moment of truth. an explanation that leaves you wondering how she cobbled together this theory without planting any clues in previous books.) then the usual death-despair-revenge-healing-strength to overcome circle, and lessons about appearances and their deceptions. Certain exalted personages can have skeletons have skeletons in their cupboard as well- this doesn’t lessen our respect for them though the illusion of their impregnable perfection lies shattered. Rather, it lessens the foreboding effect of their enigmatic aura - makes the more human and easier to like. And the characters I’d dismissed lightly in the earlier books grow in stature, and some have managed to lessen my dislike for them. And then moral dogmas like loyalty, respect for life, the evils of prejudice, concepts of equality etc, which have been highlighted repeatedly in the series.

I don’t like this absolute soulless evil vs. pure good conflict. Voldemort and his gang are made to look worse than the Taliban (an ideological intolerant tint to his personality and actions?) or Idi Amin. I mean you can’t go all the way to create the archetypal despot. Grey shades work best.

Right there might be a million things that are wrong with this book, but it's kept me engrossed till the end, and I couldn’t have created something as absorbing. So it's been one heck of a journey for this gritty woman, she’s worked quite hard for all the media attention, money, glory she’s earned. It’s difficult to end a story of this kind (Hmm. When Most of you fan base is made of kids) on a satisfactory note, tie up every loose end, complete every character's journey-but she’s done it. Not spectacularly, not stylishly, not reasonably, not admirably, but creating a climax that makes you want to cry and laugh at the same time, say “Oh. How wonderful” and “How lame” together, an ending that makes you go weak in the knees yet leaves you capable of a hollow laugh at its predictability, and corniness.

Well, ok why should I spoil this moment with feeble criticism? I’ve grown up with this book; I’ve read its last installment two days after the crushing realization that I’m 19. This thing is supposed to be a vital part of my childhood- the bouncy excitement of the sleepless nights-before, the reading marathons on the three release-days (5,6,7) that always exasperated my parents, my disillusionment and the distance that crept up, only to be replaced by reassuring comprehension, And the numbed heady silence that follows the last page…

It’s been quite a journey for Harry as well. And quite a story.

End of story.